Rendezvous

Volume 2, Issue 7, February 24, 2010


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To be sure and receive Talk, add info@talkloudoun.com to your address book Vol 2: Issue 7, February 24, 2010
A Voice From the Past
By Betsy Allen

ChrisKing_tag-4.jpgYou have to wonder, as the first flakes of Loudoun County's epic snows fell earlier this month, how many hands strayed to their radios, eager for the local take from WAGE (1200 AM).

Since 1958, WAGE, Loudoun's only radio station, had been a friend on the air, keeping everyone abreast of county news as it happened. Challenged by a variety of factors, the station ceased broadcasting last August.  

"The thing WAGE was really known for was the local news," says Chris King, who was a fixture at the station for many years. "That was our prime directive. We'd get pages and pages of school closings, business closings, cancellations. With the first snowflake, we'd get tons of calls."

"Community is the word," says Paul Draisey, another longtime staffer, who first went on-air at WAGE at the tender age of 14. Draisey remembers the many days and nights King and other WAGE employees braved bad weather to hole up at the radio station and keep it broadcasting. "(Chris) would have camped at the station. I called it the opening of Camp Run-Amok," Draisey adds with a chuckle. "But that's dedication. You can't teach people that. It's ingrained. You need to care about your community."

True, WAGE is gone now, but Chris King is going strong. In his newest role as customer service assistant with Franklin Park Performing and Visual Arts Center in Purcellville, King has the opportunity to interact both with the public and with the many performers who grace its stage. Drawing on his expertise and wealth of experience, it's a job he's particularly well qualified to do.

"I was always totally drawn to the performing arts," King says. A graduate of the University of Maryland, he studied theater and music. After college, King was under contract at the Round House Theater in Silver Spring, Maryland, and worked as an actor, instructor and technician. His theater experience ran the spectrum - plays, musicals, touring groups, even educational theater for young people.

"It was a very fun career," King says, "but I wanted to settle down a bit. I went back to school for some broadcasting classes, and started with WAGE Radio in Leesburg in 1985." 

"I hired Chris the first time," Draisey recalls. "He was a student at Montgomery Community College. My brother, Bill, he was kind of the talent finder (and also a teacher). He called me one day and said, 'I got this guy called Chris King. You gotta talk to him."

In 1987, Draisey left WAGE, but he didn't stay away long. "Crazy radio! It gets into your blood," he says.

King, too, left for other jobs in Atlantic City and Frederick, Maryland, but returned to WAGE in 2000. That year, King, now WAGE's program director, hired Draisey back to do the morning show. "You know, broadcasting tends to come full circle," Draisey says.ChrisKing_tag-1.jpg

Anyone who has ever worked at a small business knows that employees are expected to multitask, and WAGE was no different for King. At different times, he was the production manager, program director, sports director, an announcer, along with, as Draisey puts it, "other duties as assigned."

One of those other duties stemmed from King's considerable writing talents; while at WAGE, he penned a number of award-winning radio commercials. "The guy is an incredible writer," Draisey says. "He has an incredible sense of humor. He'd write pieces that would have you in tears."

But for King, the true love centered on area musicians. "I always had a passion for local music," King says, recalling his WAGE show "Live in Loudoun." It highlighted local and regional performers such as Andrew McKnight, Mike Rayburn, Al Petteway, Amy White, Lisa Taylor and Les Thompson, who was one of the founding members of the Nitty Gritty Dirt Band and is now the technical director at Franklin Park. "It was all about the community - everything you did was for the community."

A resident of Round Hill who has been married for 28 years and has two stepchildren and two grandchildren, King hired on with the Franklin Park Arts Center in December 2008. He emphasizes that "it's still all about the community. We support all the arts associations in Loudoun County. Even with the national acts we bring in, it's still with a commitment to the things people in the community want to see."

These days, King interacts with representatives and performers from local arts groups, such as the Loudoun Symphony, Master Singers of Virginia, the Dance Academy of Loudoun and Loudoun School of Ballet, among others. He also notes, with some satisfaction, that some of the familiar voices heard at WAGE are now heard at the center. "It's wonderful working with them again," he says.

King oversees the box office and designed the software the center uses. He provides support wherever it's needed. He also works in the realm of marketing and publicity, using his well-honed communications skills with a twice-monthly newsletter and to help the center make its initial forays into the Facebook and Twitter universes.

"The great thing about Chris," observes Jeff Stern, manager of the center, "is that he brings a wealth of experience in the community even as it changes - and Loudoun is always in flux, folks coming in and going. He understands the community." This means being able to communicate on equally sure footing with people coming from the spheres of technology or ChrisKing_tag-3.jpgagriculture, with newcomers or Loudoun natives.

"From a programming standpoint, he's also deeply connected to individuals within the Loudoun music community," Stern adds. He says he admires King's "street cred" with local artists; by extension, he helps give the center some of that.

"We're only going to grow if artists are going to float new ideas by us and see if we can work with them," Stern notes. "Chris has the ability to impart information in a clear, very confident way. It makes artists feel comfortable. It's great to have stalwarts of the arts community here."

The center, positioned on a bluff on the western edge of town, is part of the Loudoun County Department of Parks, Recreation and Community Services. Opened in 2008 and dedicated to providing outstanding performing and visual arts programming and services, it's a building full of big spaces, natural light and enthusiastic people like King.

"We've got good energy," Stern says with a smile. "Positive vibes."

Yes, there is life after WAGE. While King thrives at Franklin Park, Draisey, a resident of Middleburg, has been enjoying a new career with Farmer's Insurance and also does some real estate work with Keller Williams. He speaks fondly of the old days, but knows King is a great fit in his new job. "The key is to talk to people and not at them," Draisey sums up. "He gets that. He's one of the good guys."

And King knows he's got a pretty sweet gig. "I'm really happy," he says, "because I feel that what I do makes the community a better place to live."

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Bowling in Leesburg Rocks and Rolls
By Yolanda Reyes

bowling_tag-2-2.jpgThere's a long tradition of bowling in Leesburg, at least among the families that gather every week at Vil-lage Lanes Bowling Center in Leesburg for the Thursday Nite Owls bowling league. Fathers, sons and uncles. Wives and daughters. Single men and ladies. What they all have in common is the game, and every one of them is in serious communion with it. Faces are trained forward at the player, the lane, the pins ... and the scoreboard.

Tonight, like any other league night across the country, these teams are playing not only for the fun of it, but also for cold, hard cash.

Players face off for three weeks to win $13,000 in prize fund money, paid through the league's fee to the winning bowlers. The money in the pot depends on how many teams are in the competition: first the es-tablishment is paid, then the secretary treasurer of the league, and the rest goes into the prize fund. Eve-ryone has a little piece of what they came in with - some considerably more than others - but no one walks away from the end of the season empty-handed. Not only do the best players get the spoils, but players who have done well in a host of other categories will take recognition and a dollar or two home with them as well. The payments are made from first place team to last, and three are individual awards for high handicap or high scratch games.

"But it's not about the money, it's about the love of the game," League President Randy Ewell says. He has been bowling for 40 years and started bowling when he was 12. Most of those years were spent in league play. The leagues represent a family of bowlers that have been coming together to enjoy the sport and support one another in the game.

Secretary Treasurer Linda Allen has been keeping leagues in Loudoun going for years now. She bowls two leagues in the winter and two in the summer, as she has been doing for about 30 years. "It's a lot of fun," she says. "It's a sport that aggravates you. It's about beating the scoreboard."

The league secretary is a huge part of making any league successful, according to Village Lanes general manager Jeb Butler. "They take care of my league bowlers," he says. "They've been taking care of these leagues for years, and they play a big role in maintaining our bowlers. If you don't have the right league secretary operating your leagues, it can be a disaster."

Butler has been the general manager of Village Lanes Bowling Center for 15 years, and about the only thing that has changed in that time has been some of the equipment. But people with the best form still bowl the best, Butler says. "It still boils down to who has the best technique. The ability to repeat," he adds. "That hasn't changed in one hundred years."

bowling_tag-1-2.jpgLeagues, however, are always changing, especially in an area like this where people are transplanted, Butler says. "We're always developing new bowlers."

For Mike Stocks, league play is about keeping his game in shape. Stocks started bowling about 13 years ago in a youth league. "The family - my father and uncles - all of them were avid bowlers, so I developed an interest from an early age," Stocks says. He has been a professional bowler for three months, and in order to maintain a professional bowler's card, he must have a USBC-sanctioned average. Bowlers must maintain a 200 average for a minimum of 66 games to keep the card.

Stocks started bowling six days a week for about nine months before he went pro and now plays about 40 to 50 games a week. He does two nights of league bowling and will stay after league play is concluded to practice, but he's not ready to quit his day job as an ocular technical assistant yet.

It's expensive to tour. Between the cost of entrance and hotel fee, a tournament weekend can cost from $500 to $600, Stocks says. "It's never a guarantee that you will get a cash prize at a tournament," he notes. The last cash-in spot at a tournament will pay about $400. "So, out of 140 bowlers, the top 50 will get some kind of prize, meaning about one third of bowlers will cash out."

At his first tournament, he finished 71st out of 141 and was going to his next tournament at the time of this interview. "I finished where I set my goal to finish," he says. But even with the possibility of more prize money, it's still about the love of the game for Stocks. "It's something that I've wanted to do for a long time, and I wanted to do it before it got too late." Aside from the chance he takes every time he competes, in terms of recreation value, it costs Stocks only about $34 a week for his two leagues.

"This is still the best bang for the buck," Butler says.

Ready to Bowl?

For more information about bowling at Village Lanes Bowling Center in Leesburg, log on to www.villlagelanesbowling.com.

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In today's Rendezvous and each Rendezvous hereafter, Vintage 50 Restaurant Group and Talk Loudoun present 'Remember that one...' where lyrics to a song from the '70s, '80s or '90s give you the chance to win a generous $50 gift card to one of Vintage's fine Loudoun restaurants. This is our 2nd contest:  "Princess cards she sends me, with her regards, oh barroom eyes shine vacancy, to see her you gotta look hard. Wounded deep in battle I stand stuffed like some soldier undaunted, to her Cheshire smile I stand on file, she's all I ever wanted. But you let your blue walls get in the way of these facts honey, get your carpet baggers off my back, you wouldn't even give me time to cover my tracks, you said "Here's your mirror and your ball and jacks," but they're not what I came for, and I'm sure you see that's true ..." OK, need to know: name of song and artist. First one who replies with correct details to info@TalkLoudoun.com, wins the $50 gift card. Have fun remembering ...  

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